101 Classical Music CDs

The older we get, the more we lose that divine self-confidence which is the treasure of youth, the fewer are those moments when we believe that what we have done is good. --Sergei Rachmaninoff, in an interview, at age 56. The Symphonic Dances was the last work Rachmaninoff ever composed. He completed it some four years after his Third Symphony, during a period in his life when "he had become increasingly dissatisfied with himself as a composer and even as a pianist." Yet more compelling evidence that the profession of classical music brings misery to the vast majority of those who enter it. The more I learn about the lives of major classical music composers and musicians, the more I'm relieved that, at age 17, I gave up any serious idea of becoming a professional trumpet player. I can only think how miserable and self-critical I'd be now at age 40. ********************** Mikhail Pletnev and the Russian National Orchestra Sergei Rachmaninoff (1873-1943) Symphony No. 3

Thanks to a drunk conductor and some harsh criticism, Rachmaninoff's Third Symphony came very close to never being written. In 1897, at the young age of just 23, Sergei Rachmaninoff's career as a composer nearly ended before it began with the premiere of his First Symphony. He had already built a reputation for himself as a master pianist, and he had already composed an opera as well as a few other significant works. But the premiere of his First Symphony, which was poorly performed, badly conducted (by an allegedly drunk Alexander Glazunov) and excoriated by critics, nearly destroyed him. ********************** Mikhail Pletnev and the Russian National Orchestra Sergei Rachmaninov (1873-1943) Symphony No. 3 in A minor Symphonic Dances Deutsche Grammophon, 1998 ********************** Rachmaninoff fell into a period of deep depression. It would be four years before he would compose again, and it would be twelve years before he would write another symphony. Fortunately, that symp

Forget the snotty music critics who berate Sibelius as a simpleton who wrote " insufficiently complex " music. I consider him a truly gifted composer who can create a wide range of emotions in his beautiful, grand and all-too-brief symphonies. In this journey of mine through my dusty classical music collection, Sibelius is turning out to be one of my most pleasurable discoveries. ********************** Paavo Berglund and the Helsinki Philharmonic Orchestra Jean Sibelius (1865-1957) Symphony No. 3 in C major Symphony No. 5 in E flat major EMI Records, 1988 ********************** Sibelius began his Fifth Symphony in mid-1914, and while the work contains overtones of war and gloom, the key themes of this symphony are optimism and triumph. It's interesting to note, however, that Sibelius wasn't happy with the original version, completed in mid-1915, and he reworked this symphony over the next year--and then reworked it yet again in 1919. Clearly, just because a symphony s

It's been a year and a half since I last listened to the music of Jean Sibelius. And if nothing else, I'm annoyed with myself for once again overlooking this often-overlooked composer. ********************** Paavo Berglund and the Helsinki Philharmonic Orchestra Jean Sibelius (1865-1957) Symphony No. 3 in C major Symphony No. 5 in E flat major EMI Records, 1988 ********************** Sibelius' Third Symphony represents a significant stylistic break from his First and Second Symphonies, both of which were typical examples of the so-called heroic-national style (Sibelius was a fierce Finnish nationalist during a period when Finland struggled under Russian control). However, the Third Symphony, as my Essential Canon of Classical Music puts it, "entered into a different sphere of musical thought, using a radically condensed form totally devoid of the grand manner of his earlier music." Compared to Sibelius' Second Symphony, which I wrote about back in 2008 , th

It's not often that you see a classical music-related comment that makes you spit out your coffee : "Bach sucks because he was not a true composer. A true composer hears the music before he writes it. Bach composed using a mathematical system of numbers which he tought[sic] his students. After his death one of his students published a book “How to write a menuet[sic] with little or no musical knowledge”. Frankly, the result of his work is not musical, the opening bars always sound musical because he copied someone else’s melody, broke it down into numbers and wrote counterpoint from it. Handel did not even like Bach, because Handel wrote music. Anyone who does like Bach does so because they are told to. For a comparison, listen to music by Frescobaldi, Rameau, or Couperin, then listen to Bach. The difference? Something that is musical throughout the entire piece, and something that is musical for 10 seconds and quickly loses interest." Once I'd finished mopping the co