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Showing posts from November, 2009

Debussy: Preludes for Piano, Disc 1

It's cheating to use the word impressionist when describing Debussy's music, and yet it's a simple fact that Debussy's piano compositions sound just as impressionistic as his orchestral compositions. Today's Preludes are stunning and vivid--they have splashes of wild color, strange chords, strange melodies and weirdly unorthodox techniques. This guy is a true rule-breaker, no matter what instrument he works with. ********************** Krystian Zimerman, piano Claude Debussy (1862-1918) Claude Debussy: Préludes Deutsche Grammophon, 1994 [2 CDs] ********************** Until today, I had only experienced Debussy's La Mer and Images , both of which are orchestral works which are at times is so vivid that you can literally almost see the music (the first movement of La Mer is an excellent example of this). The Preludes for piano are equally vivid, but I'd argue that at times Debussy's special effects and musical gadgets interfere with the music itself. I...

Schumann: Second Symphony

I stood by the body of my passionately loved husband, and was calm. All my feelings were absorbed in thankfulness to God that he was at last set free, and as I kneeled by his bed I was filled with awe. It was as if his holy spirit was hovering over me--Ah! If only he had taken me with him. --Clara Schumann, after the death of her husband Robert Schumann We return to George Szell and the Cleveland Orchestra's exceptional recording of Schumann's Four Symphonies to hear his Symphony #2. ********************** George Szell and the Cleveland Orchestra Robert Schumann (1810-1856) Schumann: Symphonies 1-4; Manfred Overture CBS, 1958/Sony, 1996 ********************** When I sat down to listen to Schumann's Second Symphony, I assumed it would sound as Mozart-like as his First Symphony. I couldn't have been more wrong: these two symphonies sound strikingly different. Listener Notes for Schumann's Symphony #2: 1) You can tell right away that this symphony is far more Roman...