Skip to main content

Classical Music Jokes

Band directors and music instructors around the world might cry rather than laugh at many of these classical music jokes, but to the rest of us they should provide some laughs and good memories from school band.

From David Ward, posted on The Fun People Archive at Langston.com. Enjoy!
******************
OUT-TAKES FROM HARVARD DICTIONARY OF MUSIC

Accidentals: The wrong notes.

Audition: The act of putting oneself under extreme duress to satisfy the sadistic intentions of someone who has already made up his mind.

Accelerando: What happens when drummers have to keep a steady beat.

Conductor: An ignorable figure capable of following numerous individuals at once.

Cut Time: When you suddenly realize that everyone else is playing twice as fast as you are.

Crescendo: A reminder to the performer that he has been playing too loud.

Cymbals: Percussion instrument to be dropped while the band plays pianissimo

Fermata: A chance for the conductor to catch his breath while attempting to make his wind players pass out.

Glissando: The way string players play difficult runs

Key Change: A change in the main pitch or "tonal center" which takes full effect three to five bars after it is noted in the music.

Page Turn: A good way to avoid playing the hard parts.

Practice: Don't worry about it. Musicians never do it anyway.

Ritard: The idiot behind the stick.

Tempo Change: Signal for the musicians to ignore the conductor.

Unison: See "minor second."

Vibrato: How musicians hide the fact that they are on the wrong pitch.

Comments

Popular posts from this blog

Schumann: Second Symphony

I stood by the body of my passionately loved husband, and was calm. All my feelings were absorbed in thankfulness to God that he was at last set free, and as I kneeled by his bed I was filled with awe. It was as if his holy spirit was hovering over me--Ah! If only he had taken me with him. --Clara Schumann, after the death of her husband Robert Schumann We return to George Szell and the Cleveland Orchestra's exceptional recording of Schumann's Four Symphonies to hear his Symphony #2. ********************** George Szell and the Cleveland Orchestra Robert Schumann (1810-1856) Schumann: Symphonies 1-4; Manfred Overture CBS, 1958/Sony, 1996 ********************** When I sat down to listen to Schumann's Second Symphony, I assumed it would sound as Mozart-like as his First Symphony. I couldn't have been more wrong: these two symphonies sound strikingly different. Listener Notes for Schumann's Symphony #2: 1) You can tell right away that this symphony is far more Roman...

About This Blog

This blog is the result of a New Year's resolution. I have a good-sized collection of classical music at home that has been collecting dust for years, and I wanted to make 2008 the year that I actually made an effort to listen to it. All of it. I have a reasonably thorough musical education, having played trumpet throughout elementary, middle and high school. I was also principal trumpet in my university wind ensemble for two years before I gave up playing. I also have some basic grounding in music theory and composition, although it's gone quite stale through years of disuse. However, there is much that I don't know about classical music, and one of the purposes of this blog is to force me, in a public forum no less, to learn and share thoughts about the discs in my collection as I listen to them. I'll also link to music selections on Amazon.com that are applicable to the composer or composition I'm featuring. Occasionally I'll write posts that hopefully will ...

How to Start Your Own Classical Music Collection

I'm often asked by people who are new to classical music for a list of CDs or key symphonies that I think are the best choices to start off a new classical music collection. What are ideal symphonies or works that can help you get started getting to know classical music? Today I'm going to attempt to answer this question, and I'll provide you with a brief list of works that can form the foundation of a great collection of important classical music. Keep in mind that whenever one reviews any type of list like this, invariably one can complain that a given work was left off the list ("where's Chopin? or Mahler?"), or even that some work was left on the list ("ugh, Beethoven's 5th again?"). This list is in no way meant to be exhaustive. It is merely a starting point for the novice listener. If you purchase recordings of these works and listen to each and every one of them, you'll have a great head start on your journey towards getting to know c...